ACEScg/Rec.709

VS.
Linear sRGB

I finally got the time to finish up some more stuff. I created new ColorBars in ACES to be used for future tests. I was using them already testing out HDR in Final Cut Pro X (10.4.8).


I finally got the time to finish up some more stuff. I created new ColorBars in ACES to be used for future tests. I was using them already testing out HDR in Final Cut Pro X (10.4.8).

The next article is finished. It belongs to “Part 2” of the ColorChecker series. This is a deeper comparison of five different ways I tried to get the “best” HDRI result using different tools to process the RAW images.
I am “afraid” I have to continue doing more tests. Read it here and find out why.
I am very happy with the new WordPress Theme and the reorganization of the menu structure. It is fun to write new content for the site.
But first I added some feedback from ACESCentral where I also post my articles. A little summary can be found now at the end of the first ColorChecker article.
Here is the second part of the ColorChecker series.

On my ongoing project at the moment (after the holidays) I have to deal with camera footage from RED RAW, Sony Venice MXF, DJI-DNG and more H.265 drone footage.
So I wanted to know how much specular highlight data supports each camera log format. Please continue here.
Maybe I could use a blog? This idea never occurred to me before. What do I want to do here? Instead of writing only long articles or webpages I could also write here shorter snippets of information that I like to share. Let’s see where this goes…
I call it B-log instead of Blog because its a nerdy name, so fits me and I understand why BlackMagicDesign calls its own log format BlackMagicFilm and not B-log 🙂